Studies of art, photography, postcolonial theory and my own experience of traveling as a tourist in Asia are behind my decision to perform the action. I am convinced that the action is worth doing for a number of important reasons. Placing the bag like this at Charles de Gaulle airport can scare, shock and hurt individuals. A part of the airport may be blocked by the security guards and people on their way to or from their flights might be disturbed. The ethical problem of exposing other people to my actions is included in my calculations.
I justify the action with theories of how the system itself is so much more violent, wrong and destructive.
The contents of the backpack are pictures. These images consist of scanned material from travel brochures and travel commercials printed on photo paper and then cropped to 10x15cm format. Nothing but a large number of these pictures lies in the bag. The selection is made to represent a typical representation of the world through a European travel commercial perspective. The backpack contains something that the tourism industry generates. Images that constitute the current world order.
The security system, the structure, and the strictly disciplined architecture are tangible. I’m up in this with intentions about it as art. Flying with the bag containing only pictures is part of a performance work. Passing the bag through the X-ray machine at the airport worries me. Perhaps I will face suspicion and questions. I’m afraid to be remembered, or that security staff should notice this as something strange so that I can later be linked to the Charles de Gaulle airport attack and seized as a terrorist.